作品 SCIE

期刊简介估计审稿时候： 21 Weeks

Although the background setting and storyline of Opus revolve around comic creation, it actually explores larger philosophical propositions. In the work, the characters of "God" or "Creator" are metaphorically referred to as the cartoonist himself, and the comic world becomes the object of his creation and manipulation. However, Jin Min reveals an important point in his work: even "God" or the creator cannot fully control the development of the story, because the characters and plot in his works often have their own "free will", which can have a counterproductive effect on the creator's intentions, making the development of the story full of variables.

This work is published by Beijing United Publishing House and produced by Hou Lang. It has exquisite binding and clear printing, providing readers with a good reading experience. Although there is no official ending, Opus remains a classic in the history of comics with its unique charm and profound meaning.

《作品》的背景设定和故工作节固然环绕漫画创作睁开，但实则切磋了更加弘大的哲学命题。作品中，“天主”或“造物主”的脚色被隐喻为漫画家本身，而漫画天下则成了其创作和操控的工具。但是，今敏在作品中却揭露了一个主要的概念：即使是“天主”或创作者，也没法完整掌控故事的成长，由于笔下的人物和情节常常具备本身的“自在意志”，这类“自在意志”会对创作者的企图发生反感化，使得故事的成长布满变数。

这部作品由北京结合出书社出书，后浪出品，其装帧精彩，印刷清楚，为读者供给了杰出的浏览休会。虽然不正式的终局，但《作品》依然以其怪异的魅力和深入的内在，成了漫画史上的典范之作。

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